*Dave Chappelle’s Lil Jon voice* WHAAAAT?!





*Dave Chappelle’s Lil Jon voice* WHAAAAT?!


The Black American Princess experience
free counters



ronniestaytatted:

NICCCKKKKIIII LOOKIN GOODD



jankyass:

if i die young bury me in my freakum dress



lafemmeindienne:

is that a vespa
SING TO ME PAOLO 

reasons I can’t: Zayn on a vespa
goodbye friends I’m quitting life

lafemmeindienne:

is that a vespa

SING TO ME PAOLO 

reasons I can’t: Zayn on a vespa

goodbye friends I’m quitting life



lafemmeindienne:

Someone be the Paolo to my Lizzie

Let me publicly embarrass you and laugh you off the stage and take over for a flyass solo performance.





cashmerethoughtsss:

Chaka Khan 59 and bad as hell.



itzpapalotl13:

Photos by Gustavo Rodriguez

Dress and Zoot Suit by Me, Amelia (Itzpapalotl)

La Mission, Balmy Alley November 2007



givemebilly:

billythesinner:

givemebilly:

Disco Queen!

jealous.

Ellle oh el

givemebilly:

billythesinner:

givemebilly:

Disco Queen!

jealous.

Ellle oh el




via ianthe

Artists Who Speak Out 

gradientlair:

I love when White people try to turn achieving or interesting minorities into exotic clowns or mascots, those same minorities turn around and snatch wigs by being WHO THEY ARE and recognizing their race instead of ignoring it to please Whites, so that they can be labeled as “transcending race.”

Exhibit A - Psy. Whites love Gangham Style and Psy being their “exotic clown” but they are not here for him winning awards or critiquing American imperialism. Ha. Tough.

Exhibit B - Gabrielle Douglas. Even though they never fully embraced her (and were always shoving Jordyn or Aly in our faces over Gabby’s achievements) they still embraced her more before the story surfaced of the racism that she experienced, her mass media coverage and she herself speaking about the racism she experienced. No, she was just supposed to vault and swing and never speak of her life. Oh and I am sure that they are loving that she just appeared on Al Sharpton’s show PoliticsNation a few days ago. (Oh and before boringly predictable Whites try to speak about how “ALL” Blacks bashed Gabby for her hair, read this and this.)

At a certain point, many Whites will have to accept that people of colour do not exist solely to keep them amused. Some celebrities (unfortunately, not all) of colour WILL speak out.

Below are links to videos of two who did in their time…videos that give me LIFE!

Nina Simone

James Baldwin

Related Post: Artists and Activists



thelingerieaddict:

nolaburlesquepics:

New Orleans own Perle Noire

You can also join me on facebook.  

How can I not reblog Perle Noire?



blackamazon:

vintageblackglamour:

Actor Robert Earl Jones photographed by Carl Van Vechten in 1938. The father of James Earl Jones, he appeared in Oscar Michaeux films, on Broadway and with Robert Redford in “The Sting”. In the 1930s, he was a boxer and the sparring partner of Joe Louis. Blacklisted in the 1950s, he appeared in an uncredited role as the club employee who offers Harry Belafonte a “piece of iron” in the 1959 film noir “Odds Against Tomorrow”. Mr. Jones died in 2006 at the age of 96.

*goggles*

blackamazon:

vintageblackglamour:

Actor Robert Earl Jones photographed by Carl Van Vechten in 1938. The father of James Earl Jones, he appeared in Oscar Michaeux films, on Broadway and with Robert Redford in “The Sting”. In the 1930s, he was a boxer and the sparring partner of Joe Louis. Blacklisted in the 1950s, he appeared in an uncredited role as the club employee who offers Harry Belafonte a “piece of iron” in the 1959 film noir “Odds Against Tomorrow”. Mr. Jones died in 2006 at the age of 96.

*goggles*



coldeyesthatburn:

jerroncouture:

“You and me, will always be tight”

I would love this even more if Dijonay was plus size

coldeyesthatburn:

jerroncouture:

“You and me, will always be tight”

I would love this even more if Dijonay was plus size



thedorkmistress:

zuky:

so-treu:

Fats Domino.

This man was recording rock ‘n’ roll music — i.e. blues rhythm, chord structure, and melody, driven by a strong backbeat — in the 1940s. Almost a decade before Elvis recorded his first number one hit Heartbreak Hotel.

boom




Just look at him.

LAWD! 

Goodness now that’s a man of style, taste, and that special blend of black arrogance that white folks to this day still can’t imitate

thedorkmistress:

zuky:

so-treu:

Fats Domino.

This man was recording rock ‘n’ roll music — i.e. blues rhythm, chord structure, and melody, driven by a strong backbeat — in the 1940s. Almost a decade before Elvis recorded his first number one hit Heartbreak Hotel.

boom

Just look at him. LAWD! Goodness now that’s a man of style, taste, and that special blend of black arrogance that white folks to this day still can’t imitate


jtes:

For you, Leslie Knope.